The self in the street, you might think of it as the narrative self, but the staging self is perhaps more suited since it scripts, acts, directs, produces and is the audience for its themes. There is a natural delight in these things and the accompanying idea that it should be the natural starting point of whatever wonderful journey you are on, but this self is no more than its stagings it has no destiny, no goal, and rightly understood, no experience or subjecthood either - everything goes into its projects and projections, there is nothing else. It is merely the changes that fascinate the unchanging.