The ubiquity of the 80:20 rule in group endeavours suggests that what counts are neither individual or relationships, but relationships to relationships. This would mean that the effects scale with the cube of the number of actors, and applying this to the 80:20 yields close to a 50:50 split, that is, an equilibrium on the level of relation to relationships of the two groups in which the 80 relate mostly among themselves and the 20 to all. In other terms, the geometry of the triangle being predominant. The weight of oedipal or mimetic themes in fiction bear this out as well.