There are two kinds of negation, one is that which goes from thesis to antithesis, negation of the object which arises by the shortfall of any positing relative to a larger totality - it begins by finding the missing, or overlooked assumption, the hidden flaw in the position and pivots by way of this to a new position. In this way it progresses through the endless possibilities of thought with the possibility of a destination always in question. The second could be called negation of the subject, it suddenly illuminates what you the one who posits or realises the situation had been doing all along without knowing it. It arises from more closely repeating the original gesture as if it concealed a kind of perfection. In this way it progresses vertically outside of all assumed contexts.